This book sheds light on a conscious group of artists known as Modernists in literature and Cubists in painting who lent their pens and souls to a common effort of getting their universal race out of the lethargy imposed by the standards of modernity. T. S. Eliot and Georges Braque conspire in the weaving of a tapestry of artistic fragments which emerge unexpectedly in the barren ground of The Waste Land and the broken surface of Guitar and Glass as cornerstones of revolutionary ideology.
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