The Multiple Worlds of Pynchon's Mason & Dixon

When Thomas Pynchon's novel Mason & Dixon was published in 1997 it marked a deep shift in Pynchon's career and in American letters in general. All of Pynchon's novels had been socially and politically aware: V. The Crying of Lot 49 Gravity's Rainbow and Vineland are all marked by social criticism and a profound questioning of American values. They have carried the labels of satire and black humor; Pynchonesque has come to be associated with erudition a playful style anachronisms and puns - and an interest in scientific theories popular culture paranoia and the military-industrial complex which may or may not according to Pynchon's wild and widely populated casts of characters be the definitive feature of America. In short Pynchon's novels were preeminently postmodern. Mason & Dixon moved beyond postmodernism to use the same style wit and erudition to re-create an eighteenth century when America was being formed as both the place and the idea we have come to know. Pynchon's focus on the creation of the Mason-Dixon Line and the governmental and scientific entities responsible for it makes a clearer statement than any of his previous novels about the slavery and imperialism at the heart of the Enlightenment and Mason & Dixon levels a dark and hilarious critique at this America. The novel was a New York Times bestseller. ~~ This volume of new essays studies the interface between eighteenth- and twentieth-century culture both in Pynchon's novel and in the historical past. It offers fresh thinking about Pynchon's work not only because it deals with his most recent novel but also because the contributors take up the linkages between the eighteenth and twentieth centuries in studies that are as concerned with culture as with the literary text itself. ~~ The scope of the volume is indicated by its four sections: The Rounds of History about historiography and narrative temporality; Consumption Then and Now which deals with slavery trade and consumption; Space and Power which confronts the connections between place and imperial power in the eighteenth century; and Enlightenment Microhistories which studies in detail three specific eighteenth-century incidents. ~~~~~~~ ELIZABETH JANE WALL HINDS is Professor of English at The College at Brockport State University of New York.