<p>Peter Najarian writes prose in the very particular American tradition&nbsp;that includes Thomas Wolfe William Saroyan and Jack Kerouac.&nbsp;<em>The Naked and the Nude&nbsp;</em>is the seventh volume in his epic autobiographical narrative that works the territory between lyrical autobiography and the novel to tell his story and the story of his generation. Najarian&rsquo;s subject&mdash;like Wolfe&rsquo;s Saroyan&rsquo;s Kerouac&rsquo;s&mdash;is the male artist and the unsortable way in which a mix of sexual hunger and literary ambition the hunger for a home and a belief in the transformative power of art become both a wound and a way in the world.&nbsp;</p><p>In Najarian&rsquo;s case this story has as its ground Armenia the story of the early twentieth century genocide an immigrant life in America and a fierce current of damage and love that works its way through the generations. As for art&mdash;it also matters that Najarian is a remarkable painter which makes&nbsp;<em>The Naked and the Nude</em>&nbsp;as much a book about seeing and making as it is a book about sexuality. The intensely vivid paintings and drawings reproduced here are reason enough to have the book on your shelf. &nbsp; &nbsp; &nbsp;<em>&mdash;&nbsp; Robert Hass</em></p><p>&nbsp;</p>