<p>The first section of <em>The Novel-Machine</em> consists of five short chapters that rewrite <em>Autobiography</em> as an undisguised theory of realistic fiction exploring its paradoxes while placing it in the context of mid-Victorian criticism. Chapters 6 and 7 survey the manifestations in Trollope&#39;s novels of what his theory sets down as the primary difference of realism: its way of telling its readers how to read. Chapter 8 is a close reading of <em>He Knew He Was Right</em> a neglected novel that in Kendrick&#39;s estimation deserves to stand in much higher critical esteem than it does. Kendrick shows how deeply woven into the texture of Trollope&#39;s writing the rhetoric of realism is. Kendrick&#39;s reading is a departure from the usual method of criticizing Trollope--surveying the whole of his work a novel at a time saying a little about every novel and always too little about each.</p>
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