<div>One of the first books&nbsp;to examine representations of black vampires exclusively&nbsp;<i>The Paradox of Blackness in African American Vampire Fiction&nbsp;</i>not only refutes&nbsp;the tacit assumption that there is a lack of quality African American vampire fiction worthy of study or reading but also proposes that the black vampires help to answer an important question: Is there more to being&nbsp;<i>black</i>&nbsp;than having a&nbsp;<i>black</i>&nbsp;body? As symbols of immortality the black vampires in Jewelle Gomez's&nbsp;<i>The Gilda Stories</i>&nbsp;Tananarive Due's&nbsp;<i>My Soul to Keep</i>&nbsp;Brandon Massey's&nbsp;<i>Dark Corner</i>&nbsp;Octavia&nbsp;Butler's&nbsp;<i>Fledgling</i><i></i>and K. Murry Johnson's&nbsp;<i>Image of Emeralds and Chocolate</i>&nbsp;help to identify not only the notions of blackness that should be kept alive or resurrected in the African American community for the twenty-first century but also the notions of blackness that should die or remain dead.&nbsp;</div>
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