The book is the result of the author's master's degree study and aims to analyse issues related to the cultural production of theatre groups operating in Maceió in 2013. Its main focus was to understand the different processes of training these producers and their professional trajectories ultimately identifying the production models of theatre groups in the capital. The reality presented is often more a result of these individuals' dedication to theatre than what is written in production books. The final considerations of the work raise the possibility of further research given that theatre whether group or other productions in Maceió is still a field full of possibilities as is theatre production as a tool.
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