The Scandal of the Century


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About The Book

A new collection of journalism from one of the great titans of 20th century literature. I don't want to be remembered for One Hundred Years of Solitude or for the Nobel Prize but rather for my journalism Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years this is the first volume to gather a representative selection from across the first four decades of his career--years during which he worked as a full-time often muckraking and controversial journalist even as he penned the fiction that would bring him the Nobel Prize in 1982. Here are the first pieces he wrote while working for newspapers in the coastal Colombian cities of Cartagena and Barranquilla . . . his longer more fictionlike reportage from Paris and Rome . . . his monthly columns for Spain's El País. And while all the work points in style wit depth and passion to his fiction these fifty pieces are more than anything a revelation of the writer working at the profession he believed to be the best in the world.'García Márquez always thought of himself as a journalist first and foremost and this brilliant collection goes a long way towards justifying that belief.' Salman Rushdie|Gabriel García Márquez was born in Aracataca Colombia in 1927. He studied at the National University of Colombia in Bogotá and later worked as a reporter for the Colombian newspaper El Espectador and as a foreign correspondent in Rome Paris Barcelona Caracas and New York. He is the author of several novels and collections of stories including Eyes of a Blue Dog (1947) Leaf Storm (1955) No One Writes to the Colonel (1958) In Evil Hour (1962) Big Mama's Funeral (1962) One Hundred Years of Solitude (1967) Innocent Erendira and Other Stories (1972) The Autumn of the Patriarch (1975) Chronicle of a Death Foretold (1981) Love in the Time of Cholera (1985) The General in His Labyrinth (1989) Strange Pilgrims (1992) Of Love and Other Demons (1994) and Memories of My Melancholy Whores (2005). Many of his books are published by Penguin. He was awarded the Nobel Prize for Literature in 1982. Gabriel García Márquez died in 2014.|García Márquez always thought of himself as a journalist first and foremost and this brilliant collection goes a long way towards justifying that belief. Or at least it puts his journalism on the same level as his fiction which is quite some level.|The articles and columns in The Scandal of the Century demonstrate that his forthright lightly ironical voice just seemed to be there right from the start. . . . He's among those rare great fiction writers whose ancillary work is almost always worth finding. . . . He had a way of connecting the souls in all his writing fiction and nonfiction to the melancholy static of the universe.|In his journalism García Márquez's prose was as precise euphonious and inventive as it was in his fiction. Only a magician of a translator like Anne McLean could get it right. For anyone who has been enthralled by One Hundred Years of Solitude The Scandal of the Century is an essential book.|A new collection of journalism from one of the great titans of 20th century literatureI don't want to be remembered for One Hundred Years of Solitude or for the Nobel Prize but rather for my journalism Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years this is the first volume to gather a representative selection from across the first four decades of his career--years during which he worked as a full-time often muckraking and controversial journalist even as he penned the fiction that would bring him the Nobel Prize in 1982. Here are the first pieces he wrote while working for newspapers in the coastal Colombian cities of Cartagena and Barranquilla . . . his longer more fictionlike reportage from Paris and Rome . . . his monthly columns for Spain's El País. And while all the work points in style wit depth and passion to his fiction these fifty pieces are more than anything a revelation of the writer working at the profession he believed to be the best in the world.'García Márquez always thought of himself as a journalist first and foremost and this brilliant collection goes a long way towards justifying that belief.' Salman Rushdie
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