The Screen Censorship Companion

<p>Throughout the history of film censorship has existed everywhere-in all shapes colours and dimensions. The act of restricting the free production circulation screening and consumption of movies was never unique to authoritarian regimes. Censorship has had far-reaching implications for filmmakers distributors exhibitors and audiences across generations and across genres including the self-censorship of audiences disciplined into particular viewership positions. Today soft and hard censorship coexist in ever-more fluid forms; the banning regulating trimming and tailoring of films for 'harmless' consumption all exemplify wider debates about access to media.</p> <p>This companion brings together contemporary and historical views on censorship covering Argentina Canada Chile Colombia Denmark France Germany Italy Japan Norway Poland Sweden Turkey the United Kingdom and the United States. The book considers Hollywood's practices and the United States' legislative context as important frames of reference for the study of filmed entertainment censorship be they concerned with obscene materials or plain mainstream movie fare. American cinema remains a wider compass as evidenced by how studies in this companion which deal with local and regional censorship appear to have American movies as their targets.</p> <p>This volume showcases the broad international scope of censorship through detailed examinations of censorship practices. The diversity of case studies is an indication of the global reach of censorship-nothing can escape its grasp. Ultimately the censorship of screen access is a struggle for power and control; this book demonstrates how intense this struggle can become and how compromises and solutions are found.</p>