The Semblance of Subjectivity

Theodor W. Adorno died in 1969 and his last major work Asthetische Theorie was published posthumously a year later. Few philosophers have been as well versed in contemporary art especially music as Adorno and even fewer have written so much that is of interest to the social sciences. Yet only recently have his aesthetic writings begun to receive sustained attention in the English-speaking world. This collection of essays is an important contribution to the growing discussion of Adorno's aesthetics in Anglo-American scholarship.. The essays in the volume by many of the major Adorno scholars in the United States and Germany are organized around the twin themes of semblance and subjectivity. Whereas the concept of semblance or illusion points to Adorno's links with Marx Nietzsche and Freud the concept of subjectivity recalls his lifelong struggle with a philosophy of consciousness stemming from Kant Hegel and Lukacs. Adorno's elaboration of the two concepts takes many dialecical twists. Art despite the taint of illusion that it has carried since Plato's Republic turns out in Adorno's account of modernism to have a sophisticated capacity to critique illusion including its own. Adorno's aesthetics emphasizes the connection between aesthetic theory and many other aspects of social theory. The paradoxical genius of Aesthetic Theory is that it turns traditional concepts into a theoretical cutting edge.. Studies in Contemporary German Social Thought