The Sensuous Cinema of Wong Kar-wai

<div>The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. Bettinson argues that Wong's films-from <i>Days of Being Wild</i> and <i>Chungking Express</i> to <i>In the Mood for Love</i> and <i>The Grandmaster</i>—are permeated by an aesthetic of sensuousness and disturbance achieved through techniques such as narrative disruptions jarring cuts the blocking of facial access and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. </div><div><br></div><div>This tenth-anniversary edition of <i>The Sensuous Cinema of Wong Kar-wai</i> includes a substantial new afterword bringing the story of Wong’s career up to date (including reflections on the mainland Chinese drama <i>Blossoms Shanghai</i>). Bettinson revisits and extends the arguments of the first edition surveys the recent key debates on Wong’s filmmaking and introduces fresh lines of critical investigation. </div>