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About The Book
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This exploration of African American slavery through sound is a groundbreaking way of understanding both slave culture and American historyA work of great originality and insight.-Ira BerlinShane White and Graham White's book is a joy.-Branford MarsalisA fascinating book . . . that brings to life the historical soundscape of 18th- and 19th-century African Americans at work play rest and prayer . . . This remarkable achievement demands a place in every collection on African American and U.S. history and folklife. Highly recommended.-Library JournalThe authors have undertaken the difficult task of bringing to contemporary readers the sounds of American slave culture . . . [giving] vibrancy and texture to a complex history that has been long neglected.-BooklistThe book's strongest point is its attention to detail . . . [it] will not only be valuable to young scholars but . . . to young performers and composers especially with the explosion of interest in 'roots music' looking for new sources of original and searing music.-Ran Blake Christian Science MonitorA lyrical and original treatment of the musical and spoken culture of American slaves. This book is moving testimony to how scholarship can penetrate the transcendent spirit once considered exotic or unknowable how historians can trace social survival to the human voice in slavery's heart of darkness.-David W. Blight professor of history Yale University and author of Race and Reunion: The Civil War in American MemoryA seminal study of a neglected aspect of Southern and African-American culture . . . and the approach to the topic is both creative and resourceful. The book is highly recommended.-Michael Russert The Multicultural ReviewShane White and Graham White who are not related are professor and honorary associate respectively in the history department at the University of Sydney Australia. They are the coauthors of Stylin': African American Expressive Culture from Its Beginning to the Zoot Suit.