The State of Terror

<p><b>Preface </b><br/><b>Part I. Introduction</b><br/><b> </b><br/> <br/>1. Prologue <br/> <br/> <br/>2. Writing the Script: Language Hegemony and Historical Interpretation <br/> <br/> <br/>3. Setting the Stage: Foundations of Meaning for Terrorism <br/> <br/> <br/><b>Part II. The Telling of Stories on Different Stages</b><br/><b> </b><br/> <br/>4. (Re)Constructing the Event: The <i>Achille Lauro</i> Plot <br/> <br/> <br/>5. (Re)Constructing the Event: The Hijacking of TWA 847 <br/> <br/> <br/>6. Props Sets Stunts: The Global Transmission of Reality <br/> <br/> <br/><b>Part III. Conclusion: Themes Messages Reflections</b><br/><b> </b><br/> <br/>7. Terrorism: The Art of Statecraft <br/> <br/> <br/>8. Epilogue <br/> <br/> <br/>Afterword <br/> <i>by Pat Lauderdale</i><br/><i> </i><br/> <br/>Notes <br/> <br/> <br/>References <br/> <br/> <br/>Index</p>