The text dismantles itself is a famous sentence by Jacques Derrida (1976). It seems strange at the first glance. But the explanation of the long history of structuralist poststructuralist deconstructive features may pave the ways to understand a spot of it. The book deals with binary oppositions which were concealed in a realistic story like Pride and Prejudice by Jane Austen. The analysis should help shed some light on this ambiguous and exciting deconstructive features and translations and should be especially useful to each person who is interested in literature.
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