<i>The Supermarket of the Visible</i> elaborates a political economy of the images that saturate our world. From the first elevators and escalators (tracking shots <i>avant la lettre</i>) to cinema (the great conductor of gazes) all the way down to contemporary eye-tracking techniques that monitor the slightest saccades of our eyes Peter Szendy offers an entirely novel theory of the intersection of visual culture and economics.
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