The Theatrical Notebooks of Samuel Beckett

Pattern is as crucial to Becketts eye as to his ear writes Gontarski and that patterning dominates his theatrical notes: motion is repeated to echo other motion posture to echo other posture gestures to echo other gestures sounds to echo other sounds. The principle of analogy is fundamental.<br><br>Samuel Beckett directed two separate productions of <i>Endgame</i> once with the Schiller Theater Company in Berlin in 1967 and again with the San Quentin Drama Workshop in 1980. For both productions he prepared detailed notes that are reproduced here in facsimile for the first time.<br><br>Becketts revisions for both his productions maintain a consistency - with minor variations to allow for strengths or weaknesses of particular actors - that make a corrected (Becketts word) text not only possible but desirable a reflection of the substantial amount of thinking and theatrical testing the work has undergone since its publication. No previous edition - English French or German - includes the complete production-generated changes. This text was approved by Samuel Beckett.