<p>In this book, Erika Fischer-Lichte traces the emergence of performance as 'an art event' in its own right. In setting performance art on an equal footing with the traditional art object, she heralds a new aesthetics.</p><p>The peculiar mode of experience that a performance provokes – blurring distinctions between artist and audience, body and mind, art and life – is here framed as the breeding ground for a new way of understanding performing arts, and through them even wider social and cultural processes.</p><p>With an introduction by Marvin Carlson, this translation of the original Ästhetik des Performativen addresses key issues in performance art, experimental theatre and cultural performances to lay the ground for a new appreciation of the artistic event.</p> <p>1. The Transformative Power of Performance 2. Explaining Concepts: Performativity and Performance 3. Shared Bodies, Shared Spaces: The Bodily Co-Presence of Actors and Spectators 4. The Performative Generation of Materiality 5. The Emergence of Meaning 6. The Performance as Event 7. The Re-Enchantment of the World</p>
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