Trickster and the System

<p>For centuries the trickster has been used in various narratives including mythological literary and cinematic to convey the idea of agency rebellion and often turbulent progress. In <em>The Trickster and the System: Identity and Agency in Contemporary Society</em> <b>Helena Bassil-Morozow</b> shows how the trickster can be seen as a metaphor to describe the psycho-anthropological concept of change an impulse that challenges the existing order of things a progressive force that is a-structural and anti-structural in its nature. The book is about being able to see things from an unusual even ‘odd’ perspective which does not coincide with the homogenous normality of the mass or the social system or a political ideology or some other kind of authority.</p><p><em>The Trickster and the System</em> offers an analytical paradigm which can be used to examine relationships between tricksters and systems change and stability in a wide range of social political and cultural contexts. It covers a range of systems describes different types of tricksters and discusses possible conflicts tensions and dialogues between the two opposing sides. One of the central ideas of the book is that social systems use shame as a tool to control and manage all kinds of tricksters – individuality agency creativity spontaneity innovation and initiative to name but a few. The author argues that any society that neglects its tricksters (agents of change) ends up suffering from decay stagnation – or even mass hysterical outbursts.</p><p><em>The Trickster and the System: Identity and Agency in Contemporary Society </em>provides a fresh perspective on the trickster figure in a variety of cultural contexts. It covers a range of psychological cultural social and political phenomena from personal issues to the highest level of society’s functioning: self-esteem and shame lifestyle and relationships creativity and self-expression media advertising economy political ideology and most importantly human identity and authenticity. The book is essential reading for scholars in the areas of psychoanalysis analytical psychology myth cultural and media studies narrative analysis cultural anthropology as well as anyone interested in critical issues in contemporary culture.</p><p><b>Helena Bassil-Morozow </b>is a cultural philosopher film scholar and academic writer whose many publications include <i>Tim Burton: The Monster and the Crowd </i>(Routledge 2010) and <i>The Trickster in Contemporary Film </i>(Routledge 2011). Helena is currently working on another Routledge project <i>Jungian Film Studies: the Essential Guide </i>(co-authored with Luke Hockley). Her principal academic affiliation is the University of Bedfordshire Faculty of Creative Arts Technologies & Science. </p>