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<p><em>The Utopian</em> consists of two intertwined storylines unfolding in two radically different settings. First the story of Mesmer who in 2411 sets out on his Journey a rite of passage which is to last a year and a day in a gloriously pansexual matriarchal and feminist utopia told in the third person by a gentle and guileless narrator. The second storyline is set in Britain in 1979 and concerns Dr. Reed a patriarchal and self-obsessed psychoanalyst and his analysand a young man called Mesmer Partridge told in the first person by Reed in the voice of a spoilt sarcastic hostile curmudgeon. The two narratives entertain a complex twisting relationship to one another moving in all kinds of configuration in which they intermittently appear to parallel oppose double and subvert one another. Michael Westlake&rsquo;s novel first published in 1989 is thematically rich weaving theories of politics psychoanalysis and feminism together in stylish and dazzlingly imaginative prose. Contains a new introduction from Toril Moi and an afterword from Andrew Collier.</p><p>&ldquo;Mesmerizing in its brilliance and suggestion<em> The Utopian</em> is a text we do not really know how to read. It confirms that Westlake is the most interesting novelist writing in England today.&rdquo; Antony Easthope <em>Textual Practice</em></p>