<p>First published in 1937. <br><br>This study argues that the plays of Shakespeare must be studied by comparison with each other and not as separate entities; that they must be related to one another, to the poems and to the Sonnets; that each individual play acquires a deeper significance from its setting in the corpus. Muir and O'Loughlin's critical analysis takes place against the personality of Shakespeare, asserting that that despite all their diversities a single mind and a single hand dominate them and that they are the outcome of one man's critical and emotional reactions to life.</p> 1. The Approach 2. The Key 3. Tutelage, Part I 4. Tutelage, Part II 5. Journey to the Phoenix 6. Betrayal 7. Inferno 8. After the storm
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