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About The Book
Description
Author
In 1953 Samuel Beckett’s Waiting for Godot premiered at a tiny avant-garde theatre in Paris; within five years it had been translated into more than twenty languages and seen by more than a million spectators. Its startling popularity marked the emergence of a new type of theatre whose proponents—Beckett Ionesco Genet Pinter and others—shattered dramatic conventions and paid scant attention to psychological realism while highlighting their characters’ inability to understand one another. In 1961