Theatrical Performance and the Forensic Turn

<p>Contemporary theatre like so much of contemporary life is obsessed with the ways in which information is detected packaged and circulated. Running through forms as diverse as neo-naturalistic playwriting intimately immersive theatre verbatim drama intermedial performance and musical theatre a common thread can be observed: theatre-makers have moved away from assertions of what is true and focussed on questions about how truth is framed. </p><p></p><p>Commentators in various disciplines including education fine art journalism medicine cultural studies and law have identified a ‘forensic turn’ in culture. The crucial role played by theatrical and performative techniques in fuelling this forensic turn has frequently been mentioned but never examined in detail. Political and poetic <i>Theatrical Performance and the Forensic Turn</i> is the first account of the relationship between theatrical and forensic aesthetics.</p><p></p><p>Exploring a rich variety of works that interrogate and resist the forensic turn this is a must-read not only for scholars of theatre and performance but also of culture across the arts sciences and social sciences. </p>