<p>The idea of retelling theatre stories began with a second-hand copy of Donald Sinden&rsquo;s <em>Theatrical Anecdotes</em>. Other anthologies biographies and histories followed. Widening circles of biblio-graphies soon spread out into earlier anthologies and accounts from practitioners within the theatre &ndash; Oxberry Bunn Wilkinson Macready &ndash; as well as from the memoirs of ardent theatregoers &ndash; Pepys Hunt Moore Haydon&hellip; But the remarkable degree to which certain stories are repeated again and again makes specific acknowledgment of sources impossible. For example Macklin&rsquo;s final octogenarian appearance as Shylock Barrymore&rsquo;s hurling of a fish from the stage Charles Kemble&rsquo;s treatment of a crying child in the audience Garrick&rsquo;s parsimony Ralph Richardson&rsquo;s parrot Barry&rsquo;s and Garrick&rsquo;s competing Romeos &ndash; these are typical of hundreds of set pieces which recur almost obsessively. And the same blunder or witticism may well be attributed to a surprisingly large cast.</p>
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