<p>This volume is the first to focus on the ways in which Terrence Malick integrates theological inquiries and motifs into his films. Essays from established and up-and-coming scholars analyze seven of Malick's films - <i>Badlands</i> <i>Days of Heaven</i> <i>The Thin Red Line</i> <i>The New World</i> <i>The Tree of Life</i> <em>To the Wonder</em> and <em>Knight of Cups </em>- to show how his cinematic techniques point toward and overlap with principles of Christian theology.</p>
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