There is no soundtrack

<i>There is no soundtrack</i> is a study of how sound and image produce meaning in contemporary experimental media art by artists ranging from Chantal Akerman to Nam June Paik to Tanya Tagaq. It contextualises these works and artists through key ideas in sound studies: voice noise listening the soundscape and more. The book argues that experimental media art produces radical and new audio-visual relationships challenging the visually dominated discourses in art media and the human sciences. In addition to directly addressing what Jonathan Sterne calls 'visual hegemony' it also explores the lack of diversity within sound studies by focusing on practitioners from transnational and diverse backgrounds. As such it contributes to a growing interdisciplinary scholarship building new more complex and reverberating frameworks to collectively sonify the study of culture.