<p>In this passionate second book of poems Eileen P. Kennedy explores the dynamic between partners as Alzheimer's disease progresses.&nbsp;Kennedy weaves the collection about the relationship in three sections: before during and after the death.&nbsp;</p><p>&nbsp;</p><p>In the first section Kennedy positions her life and her lovers in the events happening concurrently in the decade they are together.&nbsp;She examines the early loving relationship her lover's brilliance and the beginning of the decline in both America and Latin America.</p><p><br></p><p>Feel me with your hands until words are not needed...Touch my head softly till this long night is over.&nbsp;Or their happy lives traveling.&nbsp;When I think of Oaxaca/I remember the Zocalo where they sold pipa del agua/ and chocolate dripping from paper cups.&nbsp;Kennedy pays tribute to the writers she loves 'Where the ghost of D.H. Lawrence /wrote in the park about Zapotec mornings. / Where you read him aloud to me there.</p><p>&nbsp;</p><p>In the second section Kennedy studies with eloquence and skill the deterioration and death of her partner Your flailing and shouting has stopped/ The accusations too/ I am at your side/ When you don't know me at all. Or I wheel you to the solarium/ gurney with saline attached./ Time slows/ as I read to you <em>One Hundred Years of Solitude. </em>Her sense of loss as he fades There are many places/ that feel you gone/ vacant coat pegs...</p><p>&nbsp;</p><p>In the last section she chronicles her life in anguish and redemption after her lover's death. On warm days I remember the way we made love in the afternoon your hair straggling/ out of its ponytail. I dreamt you were ninety and sleeping beside me your strong/</p><p>features still recognizable.&nbsp;She writes a cento from poets such as Emily Dickinson and T.S. Eliot about memory to turn her sorrow over to the world and finishes with a year of grief and recovery at home and in Latin America.</p><p>&nbsp;</p><p>An intense and uplifting collection Kennedy acknowledges the difficulty of being close to someone with a rapidly failing mind in Vespers and Six Months After. She describes the struggle with pharmaceuticals in Medicated. and Snow Village in a Bottle.</p><p>&nbsp;</p><p>Kennedy imbues a strong sense of place in her poems from the two places she lives from the Northeast United States The day of your cremation the seagulls swooped/down and ate the berries you planted by the saltbush.&nbsp;From Latin America Here early sunset settles/on searing afternoon./ January slides to soft orange mourning the heat that goes.</p><p>&nbsp;</p><p><em>Touch My Head Softly </em>contains some award-winning poems.&nbsp;Dream of my Lover won Second Prize in the Penumbra Haik Poetry Contest.&nbsp;Eulogy for the Costa Rican Ghosts was nominated for a Pushcart Prize.&nbsp;Poems from this collection were also published in <em>Muse and Stone Tribeca Poetry Review and Seven Hills Review. </em>Kennedy's first book of poetry <em>Banshees </em>(Flutter Press 2015) was awarded Second Place for Poetry in the Wordwrite Book Awards and Honorable Mention from the New England New York and London Book Festivals.</p><p>&nbsp;</p><p>This powerful collection is dedicated to people living with Alzheimer's their caretakers and families.&nbsp;Part of the proceeds for the sale of the book will go to the Alzheimer's Association.</p><p><br></p>
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