Tragedy and the Tragic in German Literature Art and Thought

The many catastrophes of German history have often been described as tragic. Consequently German literature music philosophy painting and even architecture are rich in tragic connotations. Yet exactly what tragedy and the tragic may mean requires clarification. The poet creates a certain artful shape and trajectory for raw experience by putting it into words; but does putting such experience into words (or paintings or music or any other form) betray suffering by turning it into mere art? Or is it art that first turns mere suffering into tragic experience by revealing and clarifying its deepest dimension? What are we talking about exactly when we talk about tragic experience and tragic art especially in an age in which according to Hannah Arendt evil has become banal? Does banality muffle or even annul the tragic? Does tragedy take suffering and transform it into beauty as Schiller thought? Is it in the interest of truth for suffering to be beautiful? Is it possible that poetry music and art are important because they in fact create the meaning of suffering? Or is suffering only suffering and not accessible to meaning tragic or otherwise? This book comprises essays that seek to clarify the meaning of tragedy and the tragic in its many German contexts art forms and disciplines from literature and philosophy to music painting and history.<BR><BR>CONTRIBUTORS: Jeffrey A. Bernstein Stephen D. Dowden Wolfram Ette Jennifer Anna Gosetti-Ferencei Barbara Hahn Karsten Harries Felicitas Hoppe Joseph P. Lawrence James McFarland Karen Painter Bruno Pieger Robert Pirro Thomas P. Quinn Mark W. Roche Helmut Walser Smith.<BR><BR>STEPHEN D. DOWDEN is Professor of German language and literature at Brandeis University. THOMAS P. QUINN is an independent scholar.