Transnational Exchange in Early Modern Theater

Emphasizing a performative and stage-centered approach this book considers early modern European theater as an international phenomenon. Early modern theater was remarkable both in the ways that it represented material and symbolic exchanges across political linguistic and cultural borders (both national and regional) but also in the ways that it enacted them. Contributors study various modalities of exchange including the material and causal influence of one theater upon another as in the case of actors traveling beyond their own regional boundaries; generalized and systemic influence such as the diffused effect of Italian comedy on English drama; the transmission of theoretical and ethical ideas about the theater by humanist vehicles; the implicit dialogue and exchange generated by actors playing foreign roles; and polyglot linguistic resonances that evoke circum-Mediterranean cultural geographies. In analyzing theater as a medium of dialogic communication the volume emphasizes cultural relationships of exchange and reciprocity more than unilateral encounters of hegemony and domination.