<p>Trees become myriad versions (instalments) of themselves without verging onto an unsensing multiplicity as they traverse partially resistant or patient terrains: so these poems explore contrasting tree-states as sticks or joints filters of directional light or self-submerged hedges which are all manners of contraction extension mediation shareable expression.</p><p>&ldquo;Larkin&rsquo;s &lsquo;theological poetics&rsquo; assumes a world in which we could be said to be &lsquo;short of nothing&rsquo; however &lsquo;scarcely&rsquo; this is apprehended.&rdquo;&nbsp;&mdash;Simon Collings</p><p>&nbsp;</p><p>&ldquo;With relation to the holy as subtext <em>Trees Before Abstinent Ground</em> continues Peter Larkin&rsquo;s dense and enticing meditations with trees. Larkin&rsquo;s poems lure the reader to attend to the incarnational alterity of trees. Through saturated language the reader encounters trees&rsquo; vertical customs and feral horizons as they engage with the habit and culture of light<em>.</em>&rdquo;&nbsp;&mdash;Anne Elvey</p>
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