Under Tainaron

<p><em style=color: rgba(0 0 0 1)>Under Tainaron </em><span style=color: rgba(0 0 0 1)>recasts elements of the myths of Orpheus and Eurydice and is rooted in the locations where that mythology originated. On that basis Corcoran's libretto discloses its poignant relevance to our present world.</span></p><p></p><p></p><p><span style=color: rgba(0 0 0 1)>Corcoran is at the front of contemporary poetry: the lyric grace of his language is threaded with an historical perspective that raises the poetry far beyond the world of a localised present. -Ian Brinton</span><em style=color: rgba(0 0 0 1)> Tears in the Fence.</em></p><p></p><p></p><p><span style=color: rgba(0 0 0 1)>Kelvin Corcoran's recent work inhabits the imagination as a distinct sphere of abundance drawn from reality as a celebration of the true scope of the mind. And the instrument of this is a written eloquence which takes in the past of poetry and of the spirit as a freshly lived condition. -Peter Riley</span><em style=color: rgba(0 0 0 1)> PN Review.</em><span style=color: rgba(0 0 0 1)>  </span></p><p></p><p></p><p><span style=color: rgba(0 0 0 1)>Kelvin Corcoran is a writer for whom politics and poetics are inseparable; his work demonstrates an exhilarating truth that wit and irony need not exclude passion and trust in the pursuit of poetry.</span> -<span style=color: rgba(0 0 0 1)>Ken Edwards </span><em style=color: rgba(0 0 0 1)>The New British Poetry.</em></p><p></p>