<p>&quot;The world within <em>Urn and Drum</em> is a cornucopia of shapes colours and objects fashioned almost as a gleeful surreal picture-book; a playful naivety that leads to serious questions of what it means to exist and feel in the world. Through linguistic dexterity and play [these poems] exclaim heartbreak and test the limits of language in a single line.&quot;&nbsp;&mdash;Rachael Allen</p><p>In exquisite rituals of embodied and object orientated writing Lila Matsumoto&rsquo;s breath-taking new collection of poetry combines lightness of expression with a thrilling complexity of thought and emotion. There is joy and jouissance in this collection in abundance. &mdash;Colin Herd</p><p>&quot;In Lila Matsumoto&rsquo;s poems a hyperintense focus on things felt and seen leads not to description but to a parallel intensity of focussed and patterned sound. &nbsp;From self-help muesli to grief bacon these word-incursions of &ldquo;unspeakable / loss + bliss&rdquo; are worth a thousand pictures; alternate soundtracks for imaginary films.&quot;&nbsp;&mdash;Peter Manson</p>
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