Victorian Epic Burlesques

This anthology presents annotated scripts of four major burlesques by key playwrights: <i>Melodrama Mad! or the Siege of Troy</i> by Thomas John Dibdin (1819); <i>Telemachus; or the Island of Calypso</i>by J.R. Planché (1834); <i>The Iliad; or the Siege of Troy</i> by Robert Brough (1858) and <i>Ulysses; or the Ironclad Warriors and the Little Tug of War</i> by F.C. Burnand (1865). <br/> <br/>Beloved legend archaeological riddle and educational staple: Homer's epic tales of the Trojan War and its aftermath were vividly reimagined in nineteenth-century Britain. Classical burlesques-exceptionally successful theatrical entertainments-continually mined the <i>Iliad</i>and <i>Odyssey</i>to lucrative comic effect. Burlesques combined song dance and slapstick comedy with an eclectic kaleidoscope of topical allusions. From namedropping boxing legends to recasting Shakespearean combats epic adaptations overflow with satirical commentary on politics cultural highlights and everyday current affairs. <br/><br/> In uncovering Homer's irreverently playful afterlife this selection showcases burlesque's development and wide appeal. The critical introduction analyses how these plays contested the accessibility of classical antiquity and dramatic performance. Textual and literary annotations with contemporary illustrations illuminate the juxtaposed sources to establish these repackaged epics as indispensable tools for unlocking nineteenth-century social cultural and political history.<br/> <br/>Resources for further study are available online.