<p>Warsaw- and London-based filmmakers Franciszka and Stefan Themerson are often recognized internationally as pioneers of the 1930s Polish avant-garde. Yet from the turn of the century to the end of the 1920s Poland's literary and art scenes were also producing a rich array of criticism and early experiments with the moving image that set the stage for later developments in the avant-garde. In this comprehensive and accessible study Kamila Kuc draws on myriad undiscovered archival sources to tell the history of early Polish avant-garde movements--Symbolism Expressionism Futurism and Constructivism--and to reveal their impact on later practices in art cinema.</p>