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About The Book
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<p>This collection explores the cultural fascination with social media forms of self-portraiture selfies with a specific interest in online self-imaging strategies in a Western context.</p><p>This book examines the selfie as a social and technological phenomenon but also engages with digital self-portraiture as representation: as work that is committed to rigorous object-based analysis. The scholars in this volume consider the topic of online self-portraiture—both its social function as a technology-driven form of visual communication as well as its thematic intellectual historical and aesthetic intersections with the history of art and visual culture.</p><p>This book will be of interest to scholars of photography art history and media studies.</p>