Viva la Libertà!

In this ambitious and wide-ranging book Anthony Arblaster shows that attempts by many music critics to disregard or disparage opera’s politics are at best delusory at worst a political ploy. Writing with passionate enthusiasm both for opera and for th ideals of freedom it has so often represented he uncovers the political dimensions of a vast range of works from <i>The Marriage of Figaro</i> to <i>Nixon in China</i>. Beginning with an investigation of opera in revolutionary France Anthony Arblaster goes on to analyse Mozart’s enigmatic politics and to explore the work of Rossini Bellini Donizetti and above all Verdi in the context of the <i>Risorgimento</i>. Further chapters examine Wagner’s early radicalism and notorious anti-semitism nationalism in Russian Czech and English opera and the weaknesses of Puccini and Strauss. He also discusses the place of women in opera and concludes with a fascinating survey of the treatment of everyday life in opera and musicals from Dallapiccola to Sondheim.