Walking with Asafo in Ghana

<b>WINNER: Society for Ethnomusicology - 2024 Nketia Book Prize</b><br><b></b><br><b>The first full-length study of the musical pasts of Asafo warrior associations based on the author's ways of walking with local scholars along the Ghanaian littoral.</b><br><br>What is Asafo <i>ndwom</i> (music)? How and when is it performed? What is the state of this warrrior tradition that once served as the bedrock of the Akan Ewe and Ga societies in Ghana? How does Asafo enact the past and serve as an archive for the people? In an attempt to answer these questions <i>Walking with Asafo in Ghana </i>investigates the musical pasts of Asafo. The book is an ethnography of walking organized into eight chapters. Each chapter ends with a piece of creative writing in the author's ethnographic voice in which she sums up the main ideas. It is Aduonum's attempt at an anticolonial and decolonialist African musicology one that subverts and decenters white racial framing of research analysis and presentation disrupting how Euro-American concepts frame our ways of telling and experiencing <i>ndwom</i>. <br><br>Aduonum's goal on this trajectory is to tell her story create something new and chart a new path. Through this fluid and complex book she repositions African Elders' knowledge as epistemologies of decolonization and de-coloniality and centers the stories shared by local Fante scholars. The text is polyvocal multimodal multiperspective performative reflexive and dialogic informed by the structure of Asafo <i>ndwom</i> appellations proverbs her mentors' tellings and embodied calling and responding. It is a performative scholarly discourse <i>ndwom</i>-based: a performance. As a celebration of Asafo those warriors who insisted their lives matter the text is meant to be read and performed.<br><br>This book is openly available in digital formats thanks to a generous grant from the Andrew W. Mellon Foundation.