For over a dozen years from 1977 to 1989 on the back pages of downtown New York's former preeminent local crier The (Village) Voice was a picture window. An oddity by most any standards today- already then more an atavistic throwback to the underground press of yore- its curious fit within t he low-end commercialized zone of this once radical weekly seemed with each passing year ever-more like some out of time eccentricity a past whimsy that by the grace of its wit somehow continued to survive on amidst pop culture's pernicious progress.
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