In 2008 as the storms of the financial crash blew Isabelle Fremeaux and Jay Jordan deserted the metropolis and their academic jobs traveling across Europe in search of post-capitalist utopias. They wanted their art activism to no longer be uprooted. They arrived at a place French politicians had declared lost to the republic otherwise know as the zad (the zone to defend): a messy but extraordinary canvas of commoning illegally occupying 4000 acres of wetlands where an international airport was planned. In 2018 the 40-year-long struggle snatched an incredible victory defeating the airport expansion project through a powerful cocktail that merged creation and resistance. Fremeaux and Jordan blend rich eyewitness accounts with theory inspired by a diverse array of approaches from neo-animism to revolutionary biology insurrectionary writings and radical art history. Published in collaboration with the Journal of Aesthetics & Protest.
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