Drawing on the collected archives of distinguished twentieth-century Black woman writers such as Lucille Clifton Audre Lorde Toni Cade Bambara Lorraine Hansberry and others Marina Magloire traces a new history of Black feminist thought in relation to Afro-diasporic religion. Beginning in the 1930s with the pathbreaking ethnographic work of Katherine Dunham and Zora Neale Hurston in Haiti and ending with the present-day popularity of Afro-diasporic spiritual practices among Black women she offers an alternative genealogy of Black feminism characterized by its desire to reconnect with ancestrally centered religions like Vodou.<br/><br/>Magloire reveals the tension discomfort and doubt at the heart of each woman&#x2019;s efforts to connect with ancestral spiritual practices. These revered writers are often regarded as unchanging monuments to Black womanhood but Magloire argues that their feminism is rooted less in self-empowerment than in a fluid pursuit of community despite the inevitable conflicts wrought by racial capitalism. The subjects of this book all model a nuanced Black feminist praxis grounded in the difficult work of community building between Black women across barriers of class culture and time.
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