This volume examines the ways in which Shakespeare&rsquo;s plays are designed for hearers as well as spectators and shows how Shakespeare&rsquo;s stagecraft actualized both on stage and screen revolves around various hearing conventions such as soliloquies asides eavesdropping overhearing and stage whispers. In short Who Hears in Shakespeare? enunciates Shakespeare&rsquo;s nuanced powerful stagecraft of hearing. <BR /><BR />
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