Will in English Renaissance Drama

Douglas Clark reveals how moments of willing and will-making pervade English Renaissance drama and play a crucial role in the depiction of selfhood sin sociality and succession. This wide-ranging study synthesizes concepts from historical legal philosophical and theological studies to examine the dramatic performance of the will as both an internal faculty and a legal document. Clark establishes the diverse connections that Shakespeare Jonson Middleton and a range of overlooked playwrights of the early Elizabethan era made between different types and understandings of the will. By doing so he reveals the little-understood ethical issues to which they gave rise in relation to the mind emotions and soul. Understanding the purpose of the will in its multiple forms was a central concern for writers of the time and Clark shows how this concern profoundly shaped the depiction of life and death in both Elizabethan and Jacobean drama. This title is part of the Flip It Open programme and may also be available as open access. Check our website Cambridge Core for details.