William Walton

When in June 1923 a bewildered audience in London's Aeolian Hall heard Edith Sitwell declaim her 'Façade' poems through a megaphone the 21-year-old William Walton - conducting behind a painted backcloth - stood on the threshold of fame. Throughout the 1920s and 1930s he was regarded as the white hope of British music and a succession of works including the Viola Concerto 'Belshazzar's Feast' and the First Symphony more than fulfilled that early promise; he was also one of the first serious composers to be involved in films.<BR> Using first-hand accounts this book explodes the myth of 'Façade's' riotous reception examines Walton's work in both films and radio and through contemporary correspondence articles and interviews - wherever possible in his own words - explores Walton's life and troubled times. It brings to the fore his complex personality - 'remote removed distant' in Laurence Olivier's words in dynamic contrast with music of such vitality and drama. Composition for him was an arduous often painful process riddled with difficulties uncertainties and self-doubts and further complicated by several love affairs (one being with Italy) that inspired his finest works. STEPHEN LLOYD's previous books include a biography of H. Balfour Gardiner and a collection of Eric Fenby's writings on Delius which he edited. In addition to record sleeve notes programme notes reviews and articles he has contributed to the 'Percy Grainger Companion' the 'Studies in Music Grainger Centennial Volume An Elgar Companion' and volumes on Delius Walton and Bliss.