This book is the first sustained study of a corpus of writings by women art critics active in nineteenth-century France that have all but &ldquo;vanished&rdquo; from the historical record. Written by scholars in art history and in literature the essays employ a variety of interdisciplinary approaches and methodologies to study the women&rsquo;s reception of specific artworks and aesthetic movements in the nineteenth century the intersections of aesthetics and politics in their essays and their rhetorical strategies and literary styles.<br/><br/>
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