Women's Discourse of Power in Macbeth and Antony and Cleopatra

This book introduces a contradictory statement to the current views in discourse analysis which indicates that women are powerless trivial dominated and sexual objects (Lakoff 1975; Chaika 1982; Andersen 1988) by showing women as powerful serious and dominating as men. The intended power in this perspective is not physical but it is power of expression. Women may use male linguistic devices e.g. directives and interruptions or use some exclusive tools that stem from their female features e.g. politeness flexibility and negotiation. Discourse of power is introduced as a nonexclusive feature of men and a generic discourse both sexes may experience alike. The book focuses on the recent views of discourse power and women. Drama is the most distinguished field among other artistic genres in accordance with discourse analysis that gives rich and applicable medium. In drama like in real life verbal and non-verbal acts come together reflecting the everyday spoken discourse. Women in Macbeth and Antony and Cleopatra are presented exclusively in such a way that they appear powerful and dominant.