Words and Music in Medieval Europe

This selection of nineteen essays by Nigel Wilkins in English and in French is characterised by an inter-disciplinary approach crossing the borders between music language literature history palaeography and iconography. The principal topic is lyric poetry in the fourteenth and fifteenth centuries mostly French and English both with and without music and in various contexts. Guillaume de Machaut the dominant poet-musician of the age is the central figure: his influence is traced in poets such as Froissart Deschamps Christine de Pisan Charles d'Orléans Villon Gower and Chaucer and in the poet-musicians who came after him. The question of patronage is investigated. The development of the principal lyric forms rondeau ballade and virelai is explored on both sides of the Channel as is the way they were used for example in miracle plays and in court entertainment. A Flemish painting of 1493 helps us discover the rôle of music in the ceremonies of trade and religious guilds; a memorial brass from King's Lynn reveals the importance of music in the ceremonial of feasts. Wider themes are also explored such as the association of music with the Devil the use of several languages combined in certain musical contexts and the controversial role of inspiration in musical composition.