This original book examines the way in which the Romantic period inaugurates a tradition of writing that demands that the poet should write for an audience of the future: the true poet a figure of neglected genius can only be properly appreciated after death. Andrew Bennett argues that this involves a radical shift in the conceptualization of the poet and poetic reception with wide-ranging implications for the gendering of the poetic canon and for understanding the work of Wordsworth Coleridge Keats Shelley and Byron paradigmatic figures of the Romantic poet.
Piracy-free
Assured Quality
Secure Transactions
*COD & Shipping Charges may apply on certain items.