<p>Mariano Bàino's is among the most interesting poetry to be published at the end of last century; it is constantly straddling the border between different linguistic codes and is capable of reaching the reader without compromising the complexity of its experimentation continuing a tradition whose immediate predecessors are the neo-avant-garde of&nbsp;<em>Novissimi</em>&nbsp;and&nbsp;<em>Gruppo 63</em>.</p><p>(From the&nbsp;<em>Introduction</em>&nbsp;by Gianluca Rizzo)</p>