<p>This volume marks the 25th anniversary of Karin Barber’s ground-breaking article Popular Arts in Africa which stimulated new debates about African popular culture and its defining categories. Focusing on performances audiences social contexts and texts contributors ask how African popular cultures contribute to the formation of an episteme. With chapters on theater Nollywood films blogging and music and sports discourses as well as on popular art forms urban and youth cultures and gender and sexuality the book highlights the dynamism and complexity of contemporary popular cultures in sub-Saharan Africa.</p><p>Focusing on the streets of Africa especially city streets where different cultures and cultural personalities meet the book asks how the category of the people is identified and interpreted by African culture-producers politicians religious leaders and by the people themselves. The book offers a nuanced strongly historicized perspective in which African popular cultures are regarded as vehicles through which we can document ordinary people’s vitality and responsiveness to political and social transformations.</p>
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