Since its publication in 1842Dead Souls has been celebrated as a supremely realistic portrait of provincial Russian life and as a splendidly exaggerated tale; as a paean to the Russian spirit and as a remorseless satire of imperial Russian venality vulgarity and pomp. As Gogols wily antihero Chichikov combs the back country wheeling and dealing for dead souls--deceased serfs who still represent money to anyone sharp enough to trade in them--we are introduced to a Dickensian cast of peasants land
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